Merepresentasikan Makna dalam Lagu “Nusantara 1” Karya Koes
DOI:
https://doi.org/10.55606/protasis.v2i1.70Keywords:
archipelago, romance, representation, nation, lyrics, songsAbstract
Nusantara song 1 (one) is one of several koes plus songs with an archipelago (Indonesia) theme. The objectives of this study include (1) to reveal the meaning contained in the lyrics of the song Nusantara 1 (one) by Koes Plus, (2) to describe the representation of nationalism contained in the lyrics of the song Nusantara 1 (one) by Koes Plus, (3) what figurative language which is contained in the 1 (one) archipelago song by Koes Plus. The problem contained in representing this 1 (one) archipelago song is that the lyrics of this song tell about the beauty of the archipelago (Indonesia) and contain an invitation to people to unite with each other and mutually protect the integrity of the archipelago (Indonesia), but many are represented as lyrics. songs that lead to something that smells of romance, so many people misinterpret the lyrics of the song, making it a complex matter to be discussed in this study. With a different meaning of the lyrics of the archipelago 1 (one) song regarding the reality of the original lyrics made by the creator. Through research methods that are analytical descriptive by concluding data through literature study. Based on the results of the research, the views of the wider community regarding the 1 (one) archipelago song produced by Koes plus its meaning become clear and detailed, namely telling about the beauty of the archipelago which is packaged in poetic words that contain many meanings using association figures of speech.
References
Hendra Metamorfosa Volume Kasmi, Jurnal 8, Nomor 2, Juli 2020
KBBI (2006). Kamus Besar Bahasa Indonesia. Jakarta: Departemen Pendidikan Nasional Balai Pustaka.
Fanny Ardian. Perjalanan sukses Koes Plus tahun 1969-1980. UNS-FSSR Jur. Ilmu Sejarah-C.0501035-2008
Santoso Didik Ardi. Prodi Pendidikan Seni, Program Pascasarjana, Universitas Negeri Semarang, Indonesia
Nender, Rini Apsari.2021.STRUKTUR MUSIK LAGU-LAGU KOES PLUS DAN PENGARUHNYA TERHADAP POPULARITAS DAN KELESTARIANNYA. Universitas Negeri Manado, Tondano,Indonesia
R. Muhammad Mulyadi; Susanto Zuhdi, promotor; Bambang Wibawarta, co-promotor;
Maria Immaculatus Djoko Marihandono, co-promotor ([Publisher not identified] ,
Diakses pada tanggal 14 april 2023
Agustina, N., Sudradjat, R. T., & Isnaini, H. (2022). ANALISIS SEMIOTIKA PADA PUISI “DALAM DOA: II” KARYA SAPARDI DJOKO DAMONO. Parole: Jurnal Pendidikan Bahasa dan Sastra Indonesia, 4(5).
Aminuddin. (1995). Stilistika: Pengantar Memahami Bahasa dalam Karya Sastra. Semarang: IKIP Semarang Press.
Depdikbud. (2015). KBBI Edisi V. Jakarta: Kementerian Pendidikan dan Kebudayaan.
Helmi, A., Utari, W., Luthfiah, A., Putri, A. Y., & Barus, F. L. (2021). Metafora dalam Lirik Lagu "Mendarah" oleh Nadine Amizah. Jurnal Lingua Susastra, Vol. 2 No. 1 2021, 1-8.
Isnaini, H. (2022a). Citra Perempuan dalam Poster Film Horor Indonesia: Kajian Sastra Feminis. Dialektika: Jurnal Bahasa, Sastra, dan Budaya, Volume 9, Nomor 2, 55-67.
Isnaini, H. (2022c). Suwung dan Metafora Ketuhanan pada Puisi "Dalam Diriku" Karya Sapardi Djoko Damono. Jurnal Telaga Bahasa: Balai Bahasa Gorontalo, Volume 10, Nomor 1, 22-31.
Isnaini, H. (2023). Semesta Sastra (Studi Ilmu Sastra): Pengantar Teori, Sejarah, dan Kritik. Bandung: CV Pustaka Humaniora.
Sunarti, S., Yusup, M., & Isnaini, H. (2022). NILAI-NILAI NASIONALISME PADA PUISI “DONGENG PAHLAWAN” KARYA WS. RENDRA. Parole: Jurnal Pendidikan Bahasa dan Sastra Indonesia, 5(4), 253-260.
Suryawin, P. C., Wijaya, M., & Isnaini, H. (2022). Tindak Tutur (Speech Act) dan Implikatur dalam Penggunaan Bahasa. Sinar Dunia: Jurnal Riset Sosial Humaniiora dan Ilmu Pendidikan, Volume 1, Nomor 3, 29-36.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Protasis: Jurnal Bahasa, Sastra, Budaya, dan Pengajarannya

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.